Close Menu
    Facebook X (Twitter) Instagram
    Neon Music
    • Home
    • News
    • Videos
    • Interviews
    • Reviews
    • Trending
    • Events
    • About Neon Music: Where Music & Pop Culture Meet
      • Partners
    • Contact Us
    Facebook X (Twitter) Instagram
    Neon Music
    Home»Trending»Megan Thee Stallion Mamushi Lyrics ft Yuki Chiba: A Cross-Cultural Hip-Hop Fusion
    Trending

    Megan Thee Stallion Mamushi Lyrics ft Yuki Chiba: A Cross-Cultural Hip-Hop Fusion

    Alex HarrisBy Alex HarrisJuly 5, 2024Updated:September 3, 2025No Comments7 Mins Read
    Facebook Twitter Pinterest LinkedIn Tumblr Email
    Megan Thee Stallion Mamushi Lyrics ft Yuki Chiba: A Cross-Cultural Hip-Hop Fusion
    Share
    Facebook Twitter LinkedIn Pinterest Email

    A single Instagram photo sparked fan excitement in early 2024. During Megan Thee Stallion’s visit to Japan for the anime awards, she shared an image of herself seated with Japanese artist Yuki Chiba, formerly known as KOHH.

    This unexpected pairing set social media ablaze with theories about a potential musical collaboration.

    Those fan predictions came true with the release of Mamushi, a track featuring both Megan Thee Stallion and Yuki Chiba.

    The song’s title carries special meaning: “mamushi” is Japanese for a species of pit viper.

    This reptilian reference fits perfectly with the snake theme running through Megan’s latest album.

    Megan Thee Stallion MEGAN album cover
    Megan Thee Stallion MEGAN album cover

    For Megan, Mamushi is an expression of her long-standing appreciation for Japanese culture.

    By weaving Japanese lyrics into her verses and teaming up with a respected figure in Japan’s hip-hop scene, Megan creates a musical bridge between her roots and her interests.

    The Birth of a Cross-Cultural Banger

    Released on June 28, 2024, Mamushi appears on Megan Thee Stallion’s latest album.

    Produced by Koshy, the track blends hip-hop beats with traditional Japanese instruments, creating a sonic landscape that’s both familiar and exotic.

    Megan Thee Stallion and Yuki Chiba co-wrote the song, creating a seamless fusion of English and Japanese lyrics.

    Koshy’s production on Mamushi is nothing short of innovative. The track opens with the haunting twang of a shamisen before dropping into a bass-heavy beat that’s pure Megan.

    The integration of taiko drums adds a thunderous element to the rhythm, perfectly complementing Megan’s powerful delivery.

    “Mamushi” Lyrics: A Bilingual Breakdown

    Megan Thee Stallion and Yuki Chiba’s Mamushi is a linguistic rollercoaster that’ll have you reaching for your Japanese phrasebook.

    The track kicks off with a bang, as Megan declares “I get money, I’m a star” in English, only for Chiba to echo the sentiment in Japanese: “お金 稼ぐ 私は スター” (Okane kasegu watashi wa sutā).

    It’s like a high-stakes game of lyrical ping-pong, with braggadocio bouncing between languages.

    Megan doesn’t just dip her toe into Japanese culture; she dives in headfirst.

    She drops “私、可愛い いい体” (Watashi, kawaii ii karada)—“I’m”cute, nice”body”—with the casual confidence of someone who’s been speaking Japanese their whole life.

    And just when you think you’ve got the measure of the track, she’s name-dropping Maruchan ramen and pouring sake in Madam Woo’s.

    But it’s Yuki Chiba’s verse that really turns the cultural fusion up to eleven.

    He paints a vivid picture of star-studded nights in Tokyo, from “スタジオ夜な夜な酒たくさん並ぶアジト” (Studio yona yona sake takusan narabu ajito)—”Night after night, lots of alcohol at the hideout”—to racing between radio recordings and TV shoots in Roppongi. It’s a breathless snapshot of fame, Japanese-style.

    The genius of Mamushi lies in how seamlessly it blends these two worlds.

    One minute you’re in Houston with Megan, and the next you’re bar-hopping in Tokyo with Chiba.

    It’s a track that doesn’t just cross borders; it erases them entirely, creating a new linguistic playground where English and Japanese collide in the most thrilling way possible.

    “Mamushi” Goes Viral

    Since its release, Mamushi has become a sensation, particularly on TikTok.

    With approximately 65,000 videos featuring users mimicking and dancing to the song, it’s clear that the track’s appeal transcends language barriers.

    The song’s success on social media platforms has undoubtedly contributed to its popularity and chart performance.

    Fans and critics alike have praised the track for its innovative sound and cross-cultural collaboration.

    Why “Mamushi” Hits Different

    Ever had sushi with a side of hot sauce? That’s Mamushi in a nutshell. Megan Thee Stallion and Yuki Chiba serve up a track that’s part Tokyo nightlife, part Houston swagger.

    It’s like they threw a party and invited both your anime-obsessed cousin and your hip-hop head best friend.

    Koshy’s production is the secret sauce here. One minute you’re vibing to a shamisen, the next you’re nodding along to a trap beat that could rattle your neighbour’s windows.

    It’s a rollercoaster ride for your ears, and you might just find yourself yelling “もう一回!” (One more time!) when it ends.

    Megan’s lyrical flexing knows no language barrier. She’s dropping Japanese phrases like she’s been doing it since birth, making “私、可愛い いい体” (I’m cute, nice body) sound as natural as her English bars.

    Meanwhile, Yuki Chiba paints Tokyo nights with words, and suddenly you’re right there with him, hopping from studio sessions to Roppongi clubs.

    The chorus? It’s basically a self-help mantra disguised as a brag. “I get money; I’m a star” hits different when it’s bouncing between English and Japanese.

    You might start off sceptical, but by the third repeat, you’re halfway convinced you’re a star too.

    Mamushi isn’t trying to be your typical globetrotting collab. It’s messy, it’s bold, and it’s unapologetically fun.

    Whether you love it or hate it might depend on how you feel about musical fusion experiments.

    But one thing’s for sure – you won’t forget it anytime soon.

    Listen to “Mamushi” Now

    If you haven’t experienced Mamushi yet, you’re missing out on one of the most innovative tracks of the year.

    Stream or download the song to hear Megan Thee Stallion and Yuki Chiba’s groundbreaking collaboration for yourself.

    Final Thoughts

    Mamushi represents a bold step forward for Megan Thee Stallion, demonstrating her willingness to experiment with new sounds and collaborations.

    By embracing Japanese culture and partnering with Yuki Chiba, she’s created a track that feels both fresh and familiar.

    As Megan continues to push boundaries and challenge expectations, Mamushi stands as a shining example of what’s possible when artists bridge cultural divides.

    It’s a song that celebrates success, confidence, and the power of cross-cultural collaboration in the music industry.

    Whether you’re a long-time fan of Megan Thee Stallion or new to her music, Mamushi feels like an exciting and unique offering.

    You might also like:

    • Birds of a Feather Lyrics by Billie Eilish: Unravelling the Depth & Meaning
    • Taylor Swift So Long, London: A Heartbreaking Journey Through Lyrics
    • Chappell Roan Hot To Go Lyrics: A Year Later, Still Blazing Hot
    • Drake Rich Baby Daddy Lyrics: A Comprehensive Breakdown
    • SZA’s Snooze Lyrics: A Deep Dive into the Meaning and Symbolism of the Song
    • Quavo and Lana Del Rey Get Tough: Lyrics That Blend Trap and Americana

    Megan Thee Stallion Mamushi Lyrics

    Intro: Megan Thee Stallion & Yuki Chiba
    (Koshy Atsuu)
    I am a star
    Star, Megan Thee Stallion
    Ah
    Yuki Chiba

    Chorus: Megan Thee Stallion & Yuki Chiba
    I get money, I’m a star, star, star
    I get money, I’m a star
    Star, star, star, star, star, star
    I get money, I’m a star
    Star, star, star, star, star, star
    We earn money, we’re stars
    I earn money, I’m a star
    Star, star, star, star, sparkling
    I am a star

    Verse 1: Megan Thee Stallion
    He know who I am, ain’t had to say my name
    Stack it up like Tetris, but this money ain’t a game
    私、可愛い いい体
    Drinkin’ out the bottle, gettin’ twisted, Maruchan
    Big exotic, Hermès, this a croc’, hmm
    Watch too expensive, ain’t no way I’m gettin’ clocked, hmm
    I think I’m so sexy, every shirt I own is cropped, hmm
    So many carats, diamonds do the bunny hop (Ah)
    In the US or Japan, if he meet me, he gon’ bow
    I got yen for your friends, if they pretty, bring ’em out
    Goin’ dumb in Madam Woo, pourin’ sake in they mouth
    Told him put me on his plate, bring them chopsticks to the south

    Chorus: Megan Thee Stallion & Yuki Chiba
    I get money, I’m a star
    Star, star, star, star, star, star
    I get money, I’m a star
    Star, star, star, star, star, star
    We earn money, we’re stars
    I earn money, I’m a star
    Star, star, star, star, sparkling
    I am a star

    Verse 2: Yuki Chiba
    Where are the flowing stars heading?
    Living while granting wishes once again
    Singing with jewelry on
    The stars gathered in the studio
    Night after night, lots of alcohol at the hideout
    Just finished recording on the radio in Roppongi
    Then off to do TV shoots
    Cameras chasing after us on ladders
    Love the shiny diamonds
    They shine in the dark every night
    Greeting with a “Nice to meet you”
    I’m so happy, grateful

    Chorus: Megan Thee Stallion & Yuki Chiba
    I get money, I’m a star
    Star, star, star, star, star, star
    I get money, I’m a star
    Star, star, star, star, star, star
    We earn money, we’re stars
    I earn money, I’m a star
    Star, star, star, star, sparkling
    I am a star

    Megan Thee Stallion Yuki Chiba
    Share. Facebook Twitter Pinterest LinkedIn Tumblr Email
    Alex Harris

    Lyric sleuth. Synth whisperer. Chart watcher. Alex hunts new sounds and explains why they hit like they do.

    Related Posts

    Tate McRae “Tit For Tat” Review & Meaning: Cool Clapback, Tour Timing, and Who It Might Be About

    September 26, 2025

    Doja Cat — “Gorgeous”: a wink, a strut, and a mirror held up to beauty culture

    September 26, 2025

    Tame Impala ‘Dracula’ Review & Lyrics Meaning and Official Video

    September 26, 2025

    Comments are closed.

    Recent Posts
    • Corbyn Besson and TZUYU Deliver Cross-Cultural Chemistry on “Blink”
    • KATSEYE “Mean Girls” Review & Meaning
    • Olivia Dean’s “So Easy (To Fall In Love)” Signals a Star Finding Her Voice
    • Tate McRae “Tit For Tat” Review & Meaning: Cool Clapback, Tour Timing, and Who It Might Be About
    • Doja Cat — “Gorgeous”: a wink, a strut, and a mirror held up to beauty culture
    Recent Comments
    • Video Premiere: 'HURT' By Nate Simpson - Neon Music on Nate Simpson Set To Release His Exquisite New Single ‘HURT’
    • It's Time To Change - Musicians Support Time To Talk Day - Neon Music on Ambient Electronica In SK Shlomo’s ‘Look Away’ (Precept Remix)
    Archives
    • September 2025
    • August 2025
    • July 2025
    • June 2025
    • May 2025
    • April 2025
    • March 2025
    • February 2025
    • January 2025
    • December 2024
    • November 2024
    • October 2024
    • September 2024
    • August 2024
    • July 2024
    • June 2024
    • May 2024
    • April 2024
    • March 2024
    • February 2024
    • January 2024
    • December 2023
    • November 2023
    • October 2023
    • September 2023
    • August 2023
    • July 2023
    • June 2023
    • May 2023
    • April 2023
    • March 2023
    • February 2023
    • January 2023
    • December 2022
    • November 2022
    • October 2022
    • September 2022
    • August 2022
    • July 2022
    • June 2022
    • May 2022
    • April 2022
    • March 2022
    • February 2022
    • January 2022
    • December 2021
    • November 2021
    • October 2021
    • September 2021
    • August 2021
    • July 2021
    • June 2021
    • May 2021
    • April 2021
    • March 2021
    • February 2021
    • January 2021
    • December 2020
    • November 2020
    • October 2020
    • September 2020
    • August 2020
    • July 2020
    • June 2020
    • May 2020
    • April 2020
    • March 2020
    • February 2020
    • January 2020
    • December 2019
    • November 2019
    • October 2019
    • September 2019
    • August 2019
    • July 2019
    • June 2019
    • May 2019
    • April 2019
    • March 2019
    • February 2019
    • January 2019
    • December 2018
    • November 2018
    • October 2018
    • September 2018
    • August 2018
    • July 2018
    • June 2018
    • May 2018
    • April 2018
    • March 2018
    • February 2018
    • January 2018
    • December 2017
    • November 2017
    • October 2017
    • September 2017
    • August 2017
    • July 2017
    • June 2017
    • May 2017
    • April 2017
    • March 2017
    • February 2017
    • January 2017
    • December 2016
    • November 2016
    Categories
    • Featured
    • Interviews
    • Lifestyle
    • Live Music Review
    • News
    • Reviews
    • Trending
    • Videos
    Meta
    • Log in
    • Entries feed
    • Comments feed
    • WordPress.org
    Recent Posts
    • Corbyn Besson and TZUYU Deliver Cross-Cultural Chemistry on “Blink” September 26, 2025
    • KATSEYE “Mean Girls” Review & Meaning September 26, 2025
    • Olivia Dean’s “So Easy (To Fall In Love)” Signals a Star Finding Her Voice September 26, 2025
    • Tate McRae “Tit For Tat” Review & Meaning: Cool Clapback, Tour Timing, and Who It Might Be About September 26, 2025
    • Doja Cat — “Gorgeous”: a wink, a strut, and a mirror held up to beauty culture September 26, 2025
    Tags
    80s Afrobeats Album alt-pop Angel Number Ariana Grande Band Debut Drake Duo Electro-pop Electronic EP Folk Gen-Z & Gen-Alpha Slang Hip-Hop Indie indie-pop jazz Lana Del Rey Live Music London Movies music interview music review Music Video New EP New Music New Single Numerology Pop Premiere Prime Video producer R&B Rap rnb rock singer-songwriter Soul Summer synth-pop Taylor Swift TV shows UK
    Facebook X (Twitter) Instagram Pinterest
    • PURCHASE
    © 2025 ThemeSphere. Designed by ThemeSphere.

    Type above and press Enter to search. Press Esc to cancel.