You know you’re back in Final Destination territory when a shard of glass in an ice tray suddenly feels like the most dangerous thing in the room.
Fourteen years since the franchise last twisted everyday objects into elaborate death traps, Bloodlines resurfaces with something more than just nostalgia and gore.
It’s a prequel, a family curse thriller, and a final curtain call for Tony Todd — all under one very doomed roof.
The film lands in UK cinemas on 14 May and in the US two days later. Directors Zach Lipovsky and Adam B. Stein (Freaks) are steering the chaos, with a script from Scream’s Guy Busick and Lori Evans Taylor.
Instead of just resetting the clock, Bloodlines digs deeper — into the origins of Death’s grudge and the blood-soaked legacy that started it all.
Though officially titled Final Destination: Bloodlines, the sixth film in the series is already being dubbed Final Destination 6 by long-time fans.
Generations Haunted by a Single Premonition
At the heart of it all is college student Stefanie (Kaitlyn Santa Juana), whose recurring nightmares are more than just a sign of stress.
Her grandmother once had a premonition that altered the outcome of a deadly accident, and that small detour in fate may have left Death feeling short-changed.
“Death is coming for us because we were never supposed to exist,” Stefanie says, after learning the family’s dark secret.
She’s not just outrunning fate — she’s trying to unpick the damage left behind by those who dodged it first.
That theme runs through the Final Destination franchise timeline, and Bloodlines could finally connect the dots.
Tony Todd’s Final Role Feels Uncomfortably Poetic
Tony Todd’s return as the chilling William Bludworth carries extra weight this time.
The actor passed away in 2024, and Bloodlines stands as his final on-screen role — one that circles back to where he was most unnervingly at home.
“Only by embracing death will it pass you by,” he warns, with that signature calm that somehow makes the warning worse.
He’s been the franchise’s quiet grim reaper since day one, but here, his lines echo louder.
This isn’t just a cameo for old time’s sake. It’s the exit of a legend who knew how to say everything without ever raising his voice.
For those searching out Tony Todd’s last role or reflecting on his death, this film is both tribute and conclusion.
The Trailer That Brought Trauma Back
The second the trailer dropped, fans didn’t just respond — they relapsed.
Social media spun into a mix of horror and humour, with users declaring that their “childhood trauma was back.”
The footage teased exactly what you’d hope and fear: a barbecue sequence with a rake under a trampoline, a glass shard chilling in an ice tray, and a lawnmower that really shouldn’t be trusted.
These films have always made people rethink ordinary routines. This time, it’s iced drinks joining the hall of caution, right next to tanning beds and laser eye surgery.
For more examples, check out our roundup of viral horror trailer reactions.
A Prequel That Actually Adds Something
Bloodlines isn’t here to clean up the timeline. It rewinds to a near-miss at a glass-bottom disco decades ago — an accident that should’ve happened but didn’t.
That ripple effect, once dismissed, may now tie the entire franchise together.
According to Empire, this moment might explain why death’s been chasing these people down in increasingly creative ways for over two decades. If so, this sixth instalment isn’t just a return — it’s a key.
New Faces, Familiar Dread
The cast includes Brec Bassinger, Richard Harmon, Teo Briones, and Rya Kihlstedt.
None are household names (yet), but that’s the point. The franchise has always worked best when it avoids the safety net of A-listers. You get to believe anyone could go at any moment, and usually, they do.
At nearly two hours, it’s also the longest film in the series. Not because it’s slowing down — but because it finally seems interested in the “why” behind the chaos, not just the “how.”
For more on what’s coming next, don’t miss our updated guide to 2025 horror film releases.
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