Lady Gaga’s The Dead Dance arrives fully costumed and ready for the spotlight on 3 September 2025, the same day Wednesday Season 2 Part 2 drops on Netflix, and it wastes no time staking out a goth-pop lane that feels both familiar and freshly theatrical.
The single rolls out with an official video on Gaga’s YouTube, credited to Interscope Records, and the framing is unmistakable: this is a purpose-built crossover between a global TV phenomenon and a pop star who knows how to turn a chorus into ritual.
Stream the single now or watch the Tim Burton–directed visual if you want the full spell.
UK and US desks caught the aesthetic immediately: Pitchfork spotlighted Gaga’s first-ever collaboration with Tim Burton and its ties to Wednesday, DIY dubbed it an “all-out instant classic,” and NME leaned into the spooky-cinematic read.
Taken together, the consensus is simple: bright, hook-forward dance-pop dressed in cobwebs.
The video makes good on that promise. Burton shoots largely in stark black and white on Mexico City’s eerie Island of the Dolls (Isla de las Muñecas, Xochimilco); colour seeps in as the chorus blooms and the dolls seem to stir.
International coverage confirms both the location and the director’s credit, and several outlets note the deliberate echo of “Thriller” in the macabre, reanimated tableaux.
The choreography is built to spread. For the music video, Parris Goebel crafts the twitchy, repeatable “dead dance” motif that fans are already tutorial-ising across socials.
Inside the series, the Nevermore gala number is a different creative hand: Corey Baker choreographs Enid and Agnes’s Episode 7 set-piece to “The Dead Dance,” a split that Netflix documents in its behind-the-scenes feature with the cast and Baker walking through counts and Easter eggs.
Distinguishing the two matters if you’re tracking credits, Goebel owns the video, Baker owns the show.
Placement inside Wednesday is tidy. Gaga appears in Episode 6 as Rosaline Rotwood, a legendary Nevermore teacher; then Episode 7 drops the song into the gala sequence just before the 40-minute mark.
People, EW, and Netflix’s own pages align on the cameo and context, and Tudum logs Gaga’s late-August Graveyard Gala event, where she announced the 3 September drop.
On the lyric sheet, Gaga writes a breakup as both strategy and resurrection.
She opens with a chessboard image, “you killed my queen with just one pawn,” refuses melodrama with “This goodbye is no surprise / This goodbye won’t make me cry,” and flips harm into power: “’Cause when you killed me inside, that’s when I came alive / Yeah, the music’s gonna bring me back from death.”
The bridge turns into instruction: “Do the dead dance… but I’m alive on the dance floor.”
Gaga with Andrew Watt and Henry Walter (Cirkut) are the writers and producers; Randy Merrill handled mastering; Gaga is credited on piano/keys.
The track sits on the digital MAYHEM (Reissue) tracklist as well as in the Wednesday S2 sync.
Critically, the temperature skews warm. Pitchfork positions the single as a well-judged Burton crossover.
DIY hears the pulsing early-Gaga synth lineage; NME underlines the doll-strewn visual as an extension of the song’s funk pulse.
Spanish-language outlet LOS40 says it neatly marries Burton’s darkness to Gaga’s club instincts.
Over on Reddit, r/popheads and r/LadyGaga threads tilt mixed-to-positive, plenty of praise for the groove and mid-song choreo cue, with a contingent wishing for a longer, short-film-style arc.
Read as lyrics meaning, the through-line is blunt in the best way: someone tried to hollow her out; she answers by moving until the pain has no air left.
The hook, “I’ll keep on dancin’ until I’m dead,” makes resilience the ritual, and the arrangement keeps enough air around the drums for that vow to hit as something you do, not just something you sing.
It’s a neat thematic fit for a series built on mortuary humour and stubborn survival, and it works whether you find it inside the episode or on a playlist later.
If you’re listening for fingerprints, you’ll hear watt and Cirkut keeping the low end springy while Gaga rides a bright head-voice topline; keys and piano cut high in the picture, and when the bridge counts off “do the dead dance,” the groove obliges with a literal instruction.
That’s why the colour-wash at the end feels earned after all that monochrome tension: it’s functional pop, and that’s said with respect.
Season 1 took a decade-old Lady Gaga track and made it viral; Season 2 invites her into the frame and sets a new dance to a freshly minted Gaga hook.
Netflix’s Tudum spells out that arc at their Graveyard Gala event, and first-look reports from mainstream press have spent the last week priming audiences for both the cameo and the song.
And if you just want the viewing order, here it is in one breath without breaking the prose: watch Gaga’s cameo in Episode 6, catch the gala dance to “The Dead Dance” in Episode 7, and if you want to rewatch the choreography in isolation, Netflix’s behind-the-scenes mini with Corey Baker and the cast is already up.
Then circle back to the Tim Burton video, shot on the Island of the Dolls, to see how the goth-pop palette looks outside Nevermore’s halls.
Love it or side-eye it, “The Dead Dance” does the one thing a sync-single has to do: it works in the room you’re watching, and it holds up when you take it with you.
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