Author: Marcus Adetola

Indie-folk singer-songwriter Bree Rusev’s new single Burn Out, is an audial spectacle that beautifully marries the plaintive cry of an acoustic guitar with soaring, incandescent vocals. The track successfully encapsulates the disquiet of daily life, underscoring the pervasive sensation of burning out, yet it manages to harmonise these bitter-sweet undertones with a lingering resonance of hope. Burn Out opens with the bare simplicity of an acoustic melody, setting the stage for Bree’s vocal prowess to shine through. Her voice, carrying an inherent touch of soulfulness, effortlessly navigates the rhythm of the acoustic guitar, creating an intimate sonic atmosphere that invites…

Arz London’s homegrown talent’s latest release, Choosing You, is an introspective dive into the complexities of relationships set over a chilled beat that’s more infectious than the common cold. Arz’s signature blend of introspection and observational wit takes centre stage in the song’s opening lines: “Just don’t lie to me / Communicate patience, but she don’t take time with things.” There’s a refreshing honesty to Arz’s narrative that resonates with listeners—it’s the voice of someone who’s been through love’s wringer and emerged all the wiser. Aiding in the introspective journey is Azuki, who hooks listeners with a contagious chorus that…

Broken Glass the compelling collaboration between South East London’s visionary, Minimalist, and singer-songwriter virtuoso, Martin Oet, paints a lucid picture of human resilience amidst emotional turmoil. It’s a tapestry of conscious lyricism and jazz-inspired instrumentals, one that echoes the fragility and strength inherent in all of us. Known for his introspective and poetic prowess, Minimalist lays down each verse with an eloquence that’s both raw and refined. The lyrics delve deep into the psyche of an individual piecing themselves back together after being shattered – a narrative that hits close to home for many. Yet, it’s not all gloom and…

Prepare to be moved by VANDA’s latest offering, Fairytale, the third single from her forthcoming debut album, Sober In Another Life. As with all good stories, this track unfolds an emotional narrative arc, but it’s one that’s surprisingly heavy for a song titled Fairytale. The release is a haunting, melodic exploration of the challenging transition from youthful dreams to the realities of adulthood. VANDA’s voice is an emotional powerhouse in Fairytale. Coupled with heartfelt, honest lyrics, her soaring vocals harness an unmistakable rawness that serves to stir a poignant resonance within the listener. Her vocals command the spotlight amidst the sweeping cinematic sounds…

Indie-pop sensation Ashley Elle has certainly staked her claim in the world of heartrending music narratives with her latest track, Somebody’s Somebody. This ’80s-influenced pop ballad, co-written and expertly produced by Cazz Brindis, is a visceral and introspective exploration of the human yearning for attention, the anticipation of disappointment, and the celebration of the carefree spirit of nightlife. In true Elle style, the narrative revolves around a seemingly common scenario: dressing up for a night out with high hopes of running into that special someone, only to witness them in the arms of another. Through this canvas of hope and…

Tapping into a deep well of introspective resonance, Australia’s indie folk prodigy Harrison Storm draws listeners into a vivid tableau of recollection with his latest single, In Good Time. Oscillating between sepia-toned daydreams and raw reality, the track captures an unflinching self-examination, a moment of coming to terms with the past, and a brave leap into the vast unknown of the future. In Good Time is an aural photograph that represents an exploration of Storm’s inner sanctum. Caught in a moment of creative uncertainty during a writing retreat, Storm found inspiration by reaching back into his own musical history. Reminiscing…

In Snøw’s latest release, Death of Me, he manages to imbue an intriguing paradox of simplicity and complexity within this melodious single, utilising the simplest tools to explore the most complex emotions. Death of Me captivates from its first notes, featuring a captivating acoustic guitar loop that serves as the song’s foundation. The guitar loop, gentle yet persistent, weaves itself around Snøw’s emotive voice and offers a compelling counterpoint to his stirring vocal inflections. Further adding to the minimalistic beauty of the track, the humming background vocals are the ghostly echoes that evoke the haunting theme of the song. However,…

Fritz Hager, the indie-rock/pop maverick and memorable American Idol contestant, has returned, wielding his latest emotional powerhouse, Bad Friend. The soul-baring ballad orchestrates an intimate exploration into the tangled webs of young love and friendship, presenting a track that is as emotionally engaging as it is musically compelling. Wreathed in thoughtful lyricism and catchy melodies, Bad Friend paints a raw and intricate portrait of youthful love and its occasionally destructive fallout on friendships. “Bad Friend is about how young love can ruin friendships,” Hager states, explicating the heartbreaking context behind the track. In his exploration, Hager highlights the confusion that often…

Hayley Reardon, the Nashville-based singer-songwriter, releases her latest single, Enough is Everything, an enchanting and deeply personal and introspective song. The song’s honesty and sincerity echo the profound beauty of accepting oneself and cultivating gratitude for life’s simplicity. Right from the outset, Enough is Everything draws you in with a simple yet alluring acoustic guitar melody that, paired with Reardon’s rich, comforting voice, weaves a captivating sonic tapestry. The production maintains an unpretentious and organic quality, allowing her velvety vocals and poignant lyrics to truly steal the spotlight. As the song’s final notes gently fade away, you are left with…

Australian indie-folk artist Hazlett emerges with a beautiful surprise—his latest single, Blame the Moon. This latest offering, a melancholic exploration of personal responsibility and excuses, serves as a tantalising introduction to his forthcoming EP. Blame the Moon, recorded in the serene expanses of the Swedish countryside, weaves a narrative that simultaneously warms and chills. Hazlett dives deep into the idea of blaming outside forces for personal failings and setbacks. “The easiest thing in the world is to think it’s something else’s fault… there’s a strange relief found in leaning on an excuse,” says Hazlett, echoing the raw sentiments underlying the…