Author: Marcus Adetola

Exploring new music. Explaining it shortly after. Keeping the classics close. Neon Music founder.

‘Like You Used To’ by Skip Curtis is heartbreak and triumph all in one. The words ‘Like You Used To’ are words you do not want to utter in a relationship. As it stands, its the precursor to the break up of a relationship. It’s all too relatable because we all experience it at some point in our lives. Skip Curtis paints a vivid picture of the emotional struggle suffered during the denial stage of breakup and heartbreak. His vocals and the acoustic guitar emphasizes the sea of confused and complicated emotions. His lyrics and soaring chorus send sensations of emotion…

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‘Fuckboy’ by BAUM the original or acoustic version? It’s a difficult choice! BAUM dropped ‘Fuckboy’ last year (2019) to critical acclaim, and she has recently released the acoustic version. Both the original and acoustic version sound dope. And, while I do like the original version, there is something special about the acoustic version. There’s an authenticity that can only be achieved by playing an acoustic version of a song and though it might not work on every track it certainly does on ‘Fuckboy’. There’s a subtle feeling of intimacy it reverberates, which is absent on the original. And, on the…

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“When I was a little girl I always loved the beach Pick up seashells one by one and take them home with me” Seersha’s ‘The Beach’ is a blissful concoction of sounds. The creative blend of textural percussion samples, marimba sounds, and bass creates an atmospheric and emotional feeling that is so pleasing it wraps around you like a warm embrace. https://www.youtube.com/watch?v=Hzq2kKUAuDY Everything about ‘The Beach’ is serene and peaceful and it washes tranquil waves over you. The sound frequencies emanating from the instruments are sure to raise dopamine levels. The harmonies and repetitive nature of the song reiterates a…

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Wind Meets West’s song ‘Slow’ proves chivalry is not dead. ‘Slow’ is about choosing to fall in love at a steady pace with the hope of retaining the honeymoon feeling for as long as possible. It isn’t a bad idea to take things slow on many levels to take time to judge compatibility to avoid rude potential ghosting. Wind Meets West uses beautiful instrumentals on ‘Slow’. The balanced blend of the piano, coupled with strings, mellow vocals, and lyrics creates an intimate and very personal expression of emotion. It is refreshing to hear songs like ‘Slow’ as our airwaves are…

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Cass Miller’s ‘For nothing.’ is more than a sad love song. Listening to ‘For nothing.’ evokes feelings of euphoria even though it is a bag of tenuous emotions. It starts with piano played over distant, incomprehensible whispers, something akin to a primordial chant, I can’t seem to make out. As the song progresses, you can hear the sweet melody slowly creeping in. With a relaxed and masterful use of her voice, Cass Miller starts to sing. Her vocal sweeps in awakening your inner senses and setting you adrift on a utopian journey. The ambient instrumentals amplify the feeling of euphoria.…

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_people. keeps you guessing with ‘Sinew (Change My Name)’. Their new single is an intensely gratifying melodic indie rock song. The guitar introduction is so catchy, it compels you to keep listening, but at the same time, you are not sure what to expect. As the song kicks into full throttle you are still not quite sure of the direction the song is going. However, you can feel the aggression (though subtle), in the way they play, hungry to leave their mark on the genre. It is obvious you’re in good hands! The song switches pace, and the vocals…

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‘Never Let It Go’ by Fat Koala Disorder is an artistic piece. The duo consisting of Fat Koala and Disorder channels feelings of atmospheric bliss in ‘Never Let It Go. The 80s’ synths and electronic sounds create an unforgettable moment you never want to let slip away. The song represents an idea focused on moods and emotions which can be taken from many perspectives and mean something different for each listener. Fat Koala Disorder frontman Fat Koala, sings: Faces and laughter Through pleasant glow Before and after and forever in the greatest show And you should never let it go…

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Kyoti finds comfort in ‘Citadel’, the sixth instalment of their latest body of work ‘Project Twelve. The pop trio releases a new song every month according to the plan set out with Project Twelve’. Due to fake news, uncertainties, misinformation, and social paradigms present in the world today. ‘Citadel’ couldn’t have come at a better time. Everyone needs that comfort zone, an escape from the rigmaroles of everyday life. Lead singer Ed says of the track, “The phrase “I need a citadel” sits at the heart of this song. I was thinking about how bombarded we all are in the…

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NEA EINI discovers herself with new song, ‘Losin’. It is the latest song released by the Swedish artist and is a metaphoric description of a failed relationship. NEA EINI finds the strength to move on, leaving the past in obscurity. The infectious guitar riffs create a melody that captures and holds your attention. No sooner than fifteen seconds into Losin’, NEA EINI’s vocals breathe life with interesting rhythmic stressing and accents into it. The blending of the harmonies and melodies creates a relatable connection to the track. The consistency in the rhythm of the lyrics makes the song all the…

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‘Part Of life’ is a deep dive into KOPS’ psyche. He is unafraid to explore and express is deep thoughts openly. Regardless of his failings, he holds himself to account. Very few people will have the nerve to look in the mirror and confront their demons. I, Something’s creepin’ in my mind that I don’t like I, Dirty thoughts and dreams keepin’ me up at night I, But I couldn’t lie, I like what I like but I don’t feel alive I, Closely keeping secrets’s just a part of life I, I, Closely keeping secrets’s just a part of life…

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