Author: Marcus Adetola

Exploring new music. Explaining it shortly after. Keeping the classics close. Neon Music founder.

Derek Simpson’s Copilot is a psychedelic and emotional sonic journey. This track from his album “Somehow” doesn’t just invite listeners in; it gently pulls them into a dreamscape where reality blurs and feelings take centre stage. The song opens with a sparse electronic guitar, setting the stage for Simpson’s ethereal vocals to float in. His voice, delicate yet haunting, weaves through the melody like a ghost-seeking connection. The backdrop is peppered with electronic embellishments that add depth to the gloomy atmosphere without overwhelming it. Copilot isn’t a race to the chorus or a battle of hooks. Instead, it’s a slow…

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Sunflower Thieves’ How Was America dives headfirst into the murky waters of a friendship gone adrift. The Leeds duo serves up a slice of life that’s as raw as it is relatable, blending dreamy soundscapes with lyrics sharp enough to cut. At first listen, you might be fooled by the dreamy soundscape. But pay attention to the lyrics, and you’ll find yourself transported to that awkward reunion we’ve all dreaded. You know the one where you’re face-to-face with someone who used to know your deepest secrets, now reduced to small talk and forced smiles. Lily Sturt-Bolshaw and Amy Illingworth have a…

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Delilah Brao’s Not Angry Anymore whispers a bittersweet farewell to fury, wrapped in a gossamer-thin musical cocoon. This track doesn’t just tiptoe around heartbreak; it dances with it, twirling through memories and what-ifs with the grace of a ballerina nursing a sprained ankle. Delilah Brao’s voice floats like dandelion seeds on a breeze, carrying lyrics that cut deeper than their airy delivery suggests. She paints vignettes of domesticity gone sour – naming fictional children for a house that was never truly home. It’s the relationship equivalent of planning a vacation you know you’ll never take. The instrumentation plays hide-and-seek with…

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Madisyn Gifford’s Seventeen is a delightful romp through the awkward, heart-fluttering realm of adult crushes. This folk-pop confection serves up a hefty dose of nostalgia, wrapped in a catchy melody that’ll have you tapping your toes and cringing at your own memories. Madisyn Gifford’s vocals dance between vulnerability and playful self-awareness, painting a vivid picture of that all-too-familiar feeling: wanting to poke your crush and run away, even when you’re old enough to know better. It’s like middle school all over again, but with better hair and a driver’s license. The track’s folk-tinged sound marks a departure from Madisyn Gifford’s previous…

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SVEA’s Blackout hits like a glittery sledgehammer to the gut. This track from The Last 90s Bitch album serves up a potent cocktail of nostalgia and modern grit, shaking up memories of Y2K pop princesses with a shot of hard reality. The song opens with a spoken-word intro that feels like a therapy session gone rogue. SVEA’s voice cuts through the haze, painting a vivid picture of a relationship spiralling out of control. Her lyrics are a neon sign flashing “DANGER” in the dark alleys of toxic love. As the beat kicks in, you can almost smell the stale cigarettes…

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Mindy Gledhill’s The Edge of the World feels like a warm hug from an old friend you didn’t know you needed. It’s the musical equivalent of finding a hidden meadow after a long hike through life’s dense forest. Mindy Gledhill, now wearing the producer’s hat, crafts a sonic landscape that’s both familiar and fresh. The gentle guitar picking serves as a sturdy foundation, while ghostly harmonies and sprinklings of orchestral magic dance around the edges. The lyrics paint a picture of a secret spot where the world’s chaos fades away. Mindy Gledhill invites us to a place where grass-watching becomes…

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Ukraine-born, Prague-based artist Birdsy crafts a sonic love potion with her latest track, Obsession. This 28-year-old multi-hyphenate doesn’t just sing; she’s a one-woman production powerhouse, handling everything from beats to visuals. Obsession pulses with the feverish energy of new love. Birdsy’s soulful vocals float atop deep house rhythms, creating an intoxicating blend that would make Disclosure proud. The song builds to a euphoric crescendo, mimicking the dizzying heights of infatuation. Lyrically, Birdsy paints love as a delicious form of insanity. She’s caught in a game of “hide and seek,” simultaneously craving connection while fearing its intensity. The chorus hypnotises with…

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Dee Holt plunges listeners into the thrilling vertigo of infatuation with her latest single, tunnel vision. The Montreal alt-pop artist crafts a sonic landscape that mirrors the dizzy euphoria of newfound attraction, blending airy vocals with a beat that thrums like an accelerated heartbeat. From the opening notes, tunnel vision envelops the listener in a mesmerising instrumental arrangement. Electronic elements and synths weave together, creating an atmospheric backdrop that sets the perfect stage for Holt’s smooth, soulful vocals to take centre stage. Dee Holt’s delivery evokes vulnerability and sensuality as her voice glides effortlessly over the music, each word imbued…

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Artist, producer, and multi-instrumentalist Derek Simpson’s Glitterrr is a sonic kaleidoscope that captures the dizzying euphoria of falling in love. Track four from his album “Somehow” blends earworm vocal samples with laid-back rhythm guitar, creating a dreamy landscape where romance and introspection collide. Derek Simpson’s lyrics paint a surreal picture of love’s early stages. “Can’t remember the time or season / Lights surrounding, we both lifted in green,” he croons, evoking the disorienting yet exhilarating feeling of new romance. The song’s structure is steady with gentle and infectious sounds, eclectic and perhaps euphoric in a sense. The production shines with…

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Plastic, the first single from Sasha & The Bear’s second EP, is a captivating blend of indie charm and electronic innovation. The track opens with a simple yet powerful plea: “Trust me,” setting the stage for a narrative that challenges societal norms. The duo paints a vivid picture of a world where “everything around is plastic” and enthusiasm feels forced. Their lyrics probe the source of this apparent happiness, suggesting a deeper unrest beneath the surface. The intricate guitar riffs weave through lush rhythms, while a trap-inspired beat adds an unexpected edge. This fusion creates a warm, comforting atmosphere that contrasts beautifully…

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