There’s a temptation to pin Adele’s Hello to a single heartbreak. A classic ex situation. A voicemail saga turned pop powerhouse.
But that only scratches the surface. Released on 23 October 2015, the single marked Adele’s return after a three-year hiatus.
And it sounded like someone crawling back to themselves through regret, guilt, and the uncomfortable quiet of adulthood.
It was Adele picking up the phone on a life she’d ghosted, crawling back through regret, guilt, and the uncomfortable quiet of adulthood.
People call it a breakup song. That’s cute. It’s deeper than that. It’s about fractured identity. Fragmented time. And the thin, painful air on “the other side” of everything.
Written by Adele and Greg Kurstin, who also produced the track and played most of the instrumentation, it opens her album 25 like an open wound.
Kurstin’s arrangement, anchored in soul and piano-led melancholy, builds a wall of sound beneath vocals that do all the heavy lifting emotionally and structurally. It’s not flashy. It’s focused.
The verses circle themes of time lost and selves abandoned, while the chorus punctuates every unanswered call with an ache that refuses to let go. It wasn’t always this restrained.
The song initially began with the lyric “Hello misery,” a line that would’ve sent it spiralling in a very different direction. That draft was abandoned.
What emerged instead was something more intimate: “Hello, it’s me.” That small shift changed the entire emotional weight of the track.
It became a conversation opener. A reconnection, not a wallowing.
The phrase “Hello from the other side” became a meme. But strip away the cultural shorthand, and it reveals something closer to a cry than a greeting.
In Adele’s own words, the line marks the transition into adulthood – the other side of becoming.
During interviews around the time of release, she was quick to clarify that Hello wasn’t about a specific ex.
It was a message to everyone she had drifted from, including friends, family, and even the self she no longer fully recognised.
She wasn’t sad when writing it. That was the problem. She was stuck.
“I found it impossible [to write] for a while… And to be honest, I wasn’t sad,” she said in a 2015 interview.
Once she stopped overthinking, the track took shape—not as a lament to romantic failure, but as a mirror held up to personal guilt and disconnection.
Especially the guilt she felt as a mother stepping away from her son, Angelo, to make the album.
“From the other side, I couldn’t get over my guilt of leaving my kid to go and write a record,” she admitted.
That framing changes how the lyrics land. “I must’ve called a thousand times” doesn’t just echo the persistence of lost lovers – it exposes the loop of someone replaying their own missteps, unsure if the damage can still be repaired.
“At least I can say that I’ve tried” becomes less of a closure cliché and more of a last-ditch defence against erasure.
And then there’s the music video. Directed by Xavier Dolan and featuring actor Tristan Wilds, it shrouds everything in sepia and silence.
The dusty flip phone, the fogged windows, the barely-lit interiors, all of it points inward. The setting doesn’t pin the song to a place; it pins it to a feeling.
Adele’s performance isn’t performative. She barely moves. The emotion’s baked into her face and posture. It’s cinematic, but not stylised for effect, and it leans into fatigue. Into history.
And yes, fans did notice how Hello mirrored Lionel Richie’s 1984 video of the same name – but if Richie’s was a romantic drama,
Adele’s is a one-woman existential check-in. Despite that intimacy, the song exploded.
Hello debuted at No. 1 on the Billboard Hot 100 and held the spot for ten consecutive weeks.
It broke the Vevo 24-hour view record and sold over a million digital downloads in a single week—the first song to do so.
In the UK, it topped charts and broke streaming records; in the US, it sold 3.7 million downloads by early 2016 and topped nearly every chart it qualified for.
It became Adele’s longest-running No. 1 and marked her fourth Hot 100 chart-topper.
That momentum wasn’t just commercial. Hello swept the 59th Annual Grammy Awards, winning Record of the Year, Song of the Year, and Best Pop Solo Performance.
It also picked up the Brit Award for British Single and topped charts in 36 countries.
Add in the fact that the video became the fastest to reach one billion YouTube views at the time in just 87 days and the cultural impact becomes difficult to overstate.
While critics praised the vocals and production, fans turned Reddit threads and YouTube comments into their own versions of therapy.
One popular comment calls the track “every call I never had the guts to make.”
Another reframes it as an anthem for those who’ve drifted apart from themselves.
Some tied it to the awkwardness of growing older and finding that reconnection isn’t as simple as it once seemed.
And a few listeners with immigrant backgrounds saw the “California dreaming” line not as a fantasy but a homesick confession – proof that the song’s reach goes beyond romance.
Adele’s Hello isn’t just Adele’s Hello. It became the universal check-in. To the self you used to be. To the people you thought you’d never lose. And to the past versions of your life that still tug at your sleeve when you’re trying to move forward.
Which leaves the final question: if Hello was Adele’s apology to everyone, exes, friends, her own son, herself, then who’s the next call for?
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Adele Hello Lyrics
Verse 1
Hello, it’s me
I was wondering if, after all these years, you’d like to meet
To go over everything
They say that time’s supposed to heal ya
But I ain’t done much healin’
Hello, can you hear me?
I’m in California dreaming about who we used to be
When we were younger and free
I’ve forgotten how it felt before the world fell at our feet
Pre-Chorus
There’s such a difference between us
And a million miles
[Chorus]
Hello from the other side
I must’ve called a thousand times
To tell you I’m sorry for everything that I’ve done
But when I call, you never seem to be home
Hello from the outside
At least, I can say that I’ve tried
To tell you I’m sorry for breaking your heart
But it don’t matter, it clearly doesn’t tear you apart anymore
Verse 2
Hello, how are you?
It’s so typical of me to talk about myself, I’m sorry
I hope that you’re well
Did you ever make it out of that town
Where nothing ever happened?
Pre-Chorus
It’s no secret that the both of us
Are running out of time
Chorus
So hello from the other side (Other side)
I must’ve called a thousand times (Thousand times)
To tell you I’m sorry for everything that I’ve done
But when I call, you never seem to be home
Hello from the outside (Outside)
At least, I can say that I’ve tried (I’ve tried)
To tell you I’m sorry for breaking your heart
But it don’t matter, it clearly doesn’t tear you apart anymore
Bridge
(Highs, highs, highs, highs, lows, lows, lows, lows)
Ooh, anymore
(Highs, highs, highs, highs, lows, lows, lows, lows)
Ooh, anymore
(Highs, highs, highs, highs, lows, lows, lows, lows)
Ooh, anymore
(Highs, highs, highs, highs, lows, lows, lows, lows)
Anymore
Chorus
Hello from the other side (Other side)
I must’ve called a thousand times (Thousand times)
To tell you I’m sorry for everything that I’ve done
But when I call, you never seem to be home
Hello from the outside (Outside)
At least, I can say that I’ve tried (I’ve tried)
To tell you I’m sorry for breaking your heart
But it don’t matter, it clearly doesn’t tear you apart anymore
