When Florida native rapper BossMan Dlow dropped Get in With Me on January 18, 2024, as part of a two-track single alongside “Piss Me Off,” few could have predicted the rapid rise it would experience.
The song quickly became a breakout hit, thanks largely to its viral success on TikTok, where it has been used in over 350,000 videos.
Get in With Me marked BossMan Dlow’s first entry into the Billboard Hot 100, debuting at number 68 and peaking at 49.
Origins and Viral Success
Get in With Me began as a freestyle rap on the series “Kreepin Through the Streetz.”
BossMan Dlow’s performance caught fire on Instagram and TikTok, thanks to his unique delivery and distinct Florida twang.
The freestyle’s raw energy and choppy flow resonated with listeners, setting the stage for the official release of the track.
The song’s viral moment on social media platforms was pivotal, transforming BossMan Dlow from a local talent into a nationally recognised artist almost overnight.
TikTok and Social Media Impact
The song’s success on TikTok cannot be overstated. Its high-energy beat and catchy lyrics made it perfect for the platform’s short, dynamic videos.
Users embraced the track, creating dance challenges and lip-sync videos that propelled it further into the public consciousness.
The chorus, with its infectious rhythm, became a soundtrack for countless creative expressions, driving streams and downloads.
Musical Style and Production
Get in With Me is characterised by a “pummeling Michigan-style beat,” providing a robust foundation for BossMan Dlow’s dynamic and gritty delivery.
The production, helmed by emerging producer Dxntemadeit, melds a moody, danceable vibe with high energy, creating an atmosphere that matches the lyrical content’s intensity.
The track’s aggressive sound is a perfect backdrop for BossMan Dlow’s vivid storytelling, amplifying the themes of defiance and resilience that permeate the lyrics.
“Get in With Me” Lyrics Breakdown
At its core, Get in With Me is a narrative of struggle and triumph, blending street-smart bravado with moments of introspection.
The lyrics offer a window into BossMan Dlow’s world, where past misdeeds and current ambitions collide.
BossMan Dlow opens the track with a vivid depiction of his rebellious youth and current hustle:
“I was bad in fuckin’ school/Now I’m tryna dodge a sentence.”
This line immediately sets the tone, highlighting a journey from troublemaking to striving for success.
The juxtaposition of past and present underscores the stakes of his current path, where every move is a potential game-changer.
The chorus of Get in With Me is an anthem of resilience.
“Get in with me, let’s ride, no lookin’ back/We movin’ fast, no time to slack.”
Here, BossMan Dlow invites listeners into his world of high-speed ambition and unwavering focus.
The repetition of “get in with me” serves as both a call to action and a declaration of intent, emphasising the urgency and intensity of his mission.
In the second verse, BossMan Dlow delves deeper into the grind:
“Club lights flashin’, but I’m focused on the cashin’/Ain’t no time for relaxin’, every move gotta be lastin’.”
These lines paint a picture of a relentless pursuit of success, where distractions are brushed aside in favour of the ultimate goal.
The imagery of club lights juxtaposed with financial focus illustrates the duality of his environment, where temptation is ever-present but the drive to succeed prevails.
The Cultural Impact
The release of Get in With Me has positioned BossMan Dlow as a recognisable figure in the rap scene.
His unique sound, characterised by the fusion of Florida’s local flavour with broader musical influences, has set him apart from his peers.
The song’s success on platforms like TikTok has not only boosted his profile but also brought attention to the freestyle rap culture and its potential for mainstream appeal.
Motivation Music
BossMan Dlow describes his work as “motivation music,” and Get in With Me exemplifies this ethos.
The song’s themes of perseverance, ambition, and resilience resonate with listeners facing their own challenges.
It’s a soundtrack for anyone pushing against the odds, making it relatable and inspiring across diverse audiences.
Conclusion: The Ascent of BossMan Dlow
Get in With Me is a raw and powerful declaration of BossMan Dlow’s arrival.
From his freestyle roots on “Kreepin Through the Streetz” to capturing the hearts of TikTok users and breaking into the Billboard charts, BossMan Dlow’s journey is one of grit and undeniable talent.
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BossMan Dlow Get in With Me Lyrics
Intro
Big Za
Yeah
Gram
(Dxnte, you snapped on this one)
Uh, uh
Chorus
I was bad as f*ck in school, now I’m tryna dodge a sentence
Just walked out the Lanvin store, pair of shoes, twelve-fifty(Nigga)
You wanna boss up your life? All you gotta do is get in with me (Come here, baby)
I don’t even pay to get in the club, they know I’m a walkin’ ticket
I’m presidential leavin’ the club, we ain’t stoppin’ at no lights (Yoom)
You wanna be a boss, you gotta pay the price (Facts)
Left wrist on frost, look like a bag of ice (Bling)
I’m drivin’ the Bentley Bentayga like I don’t love my life (Skrrt)
Verse
I’m in that thing shiftin’ and I’m lane-switchin’ (Yoom)
Bitch, it’s Big Za, I’ma stand on straight business (Big Za)
Uh, dunkin’ on niggas’ ass like Blake Griffin (Rrr)
He keep talkin’, bro gon’ leave his face missing (Brrt)
Bae, these Off-White, these ain’t no Huarache (No Huarache, baby)
Bad bitch, fiftieth floor, eatin’ hibachi (Come here, baby)
I got ten missed calls, all my bitches mad at me
Valet park, designer district, I’m goin’ straight to Gallery
Juggs fiendin’, yep (Yep)
Phone ringin’, yep (Brrt)
Niggas hatin’, yep (Nigga)
Jewelry blingin’, yep (Bling)
Juggs fiendin’, yep (Brrt)
Phone ringin’, yep (Yep)
Niggas hatin’, yep (Nigga)
Jewelry blingin’, yep (Bling)
Chorus
I was bad as fuck in school, now I’m tryna dodge a sentence
Just walked out the Lanvin store, pair of shoes, twelve-fifty(Nigga)
You wanna boss up your life? All you gotta do is get in with me (Come here, baby)
I don’t even pay to get in the club, they know I’m a walkin’ ticket
I’m presidential leavin’ the club, we ain’t stoppin’ at no lights (Yoom)
You wanna be a boss, you gotta pay the price (Facts)
Left wrist on frost, look like a bag of ice (Bling)
I’m drivin’ the Bentley Bentayga like I don’t love my life (Skrrt)
