Jealous Type is Doja Cat’s bright, 80s-tinted confession about boundaries and desire, produced by Jack Antonoff and Y2K and released August 21, 2025 as the lead single for Vie.
She opens the door with a clean, rubbery bassline and a stare that does not blink.
In the video, she plays muse and mirror, switching poses like jump cuts as if jealousy can’t hold a single shape for long.
The clip passed a million views in its first half-day on August 22 and landed on YouTube’s Music Trending at No. 15, which tells you the appetite is real and the hook is sticky.
What the song is about is obvious and then not: the funny, queasy line between honesty and control.
“Boy, let me know if this is careless,” she sings, before choosing between “hell or paradise,” a neat binary that pops because the production keeps smiling while the subtext tightens.
The chorus admits it without flinch, “I’m the jealous type,” but the verses do the heavier lifting, sketching a partner who loves attention and hates boundaries.
There’s a bar about “trying to tough it out for a party boy,” and you feel the eye-roll more than you hear it.
Part of why Jealous Type lands is the timing. It’s late summer, the season when people decide whether a fling was a fling or a problem.
Doja frames jealousy not as a neon warning sign but as a temperature check: how much care is too much, and who holds the thermostat.
That framing bleeds into the rollout itself. Ahead of release, she set up the Vie Hotline, a cheeky phone line about love rules where she purrs, “Welcome to the Vie Hotline, where love is complicated, but calling us isn’t,” and then tells callers that “jealousy is normal.”
The bit about location sharing might be the cleanest thesis statement for the single: trust is “not tracking.”
On first spin you clock the bounce, those glassy drums, the hand-on-hip synths, but it’s the way she toggles persona that keeps you replaying.
She softens the edges on the chorus so it scans like a summer sing-along, then snaps into precision on the rap cadences; it’s a familiar trick in her toolbox and still satisfying because she knows how to sell the pivot.
Early listeners keyed in on the 80s palette and diva stance, calling out the Janet and Rihanna adjacent rush without making it cosplay.
Others heard the single as a smart, safe play: built to move radio, not to empty the clip. Both reads sit comfortably here, and both help the song work.
There’s also a creative-chemistry story in the credits. Doja wrote it with Antonoff and Ari Starace (Y2K), who also co-produced; the input shows in the shine and the restraint.
She’s been candid about enjoying the process with a “new” collaborator, telling Apple Music’s Zane Lowe it was “nice to play,” to work from a clear subject and still treat the album like a sandbox.
That openness explains why the single feels breezy without being weightless.
If you’re tracking the album arc, Vie arrives September 26 on Kemosabe/RCA, and Jealous is positioned as the pop-forward reset that still leaves room for bite.
The video credit goes to Boni Mata, whose gloss and color-blocked framing make the jealousy narrative feel stylish rather than sulk-y.
A few lines make the meaning plain and sharp. “Which one is leading me to hell or paradise?” is the kind of lyric that turns a simple choice into a summer cliffhanger.
Later, when she won’t “wait in this lane,” the song takes a breath and then marches on like a late-night decision.
They’re compact, quotable phrases, and they do the job because the vocal sells doubt and confidence at once.
On Reddit’s first-day thread, listeners praised the 80s gloss, the Antonoff-Y2K tag team, and the sense that this is the right doorway back into full-colour pop.
Some also wanted a riskier swing, calling the track a clever scene-setter rather than the album’s ceiling.
That tension reads as the point: this is an invitation, not the last word.
One creator called it pure serotonin, “real pop” in the star-power sense, obsessed with the visuals and the one-woman-show energy.
Another loved the hook and structure, then admitted it felt “light for a lead single,” which sounds less like a knock and more like a prediction that the deeper cuts will swing harder. Both takes track with Doja’s own late-summer timing.
Doja’s own words round it out. On the hotline she positions Jealous Type as a space to talk messy feelings without apology.
“This is your space for love, life and a mess in between,” she says, and then reminds you that jealousy isn’t proof of failure, it’s a signal.
On album direction she’s framed Vie as pop-driven, with playfulness and vocal risk baked in.
If this single is the blueprint, the rest of the record will likely toy with the same boundary between sugar and sting.
So yes, Jealous Type aims for the windows-down slot on your late-summer playlist, but it sneaks in a relationship audit while you’re humming the hook.
“I’m the jealous type” lands as a boundary you keep, not a flaw you confess.
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Doja Cat Jealous Type Lyrics
Chorus
Boy, let me know if this is careless, I
Could be torn between two roads that I just can’t decide
Which one is leading me to hell or paradise?
Baby, I can’t hurt you, sure, but I’m the jealous type
I’m the jealous type
Verse 1
He loves me
But he can’t hold this above me
When my eyes are green, I’m ugly
You’re vain and hip to rushing
I’m so over-tired
I will not wait in this lane
Never seen you cry
You’re mine
Chorus
Boy, let me know if this is careless, I (Let me know)
Could be torn between two roads that I just can’t decide (Just can’t decide)
Which one is leading me to hell or paradise? (Oh)
Baby, I can’t hurt you, sure, but I’m the jealous type
I’m the jealous type
Post-Chorus
Oh, I’m jealous, baby, yeah, I’m jealous
Oh, I’m jealous, baby, I’m the jealous type
Oh, I’m jealous, baby, yeah, I’m jealous
Oh, I’m jealous, baby, I’m the jealous type
[Verse 2
I said, “You wanna do what now with who?”
I don’t need a pin-drop or a text tonight
I ain’t even coming out with you
You don’t wanna show me off to your ex or your friends tonight
Nigga, you must be on molly
‘Cause y’all ain’t kick it when we started up
And if she really was a friend like you said she was
I would’ve been locked in, but I called your bluff, ha
No girl enjoys trying to tough it out for a party boy
Everyone wants you and you love all the noise
You want what you can have, but I made a choice
I’m not your type (Boy, let me know)
Chorus
Boy, let me know if this is careless, I
Could be torn between two roads that I just can’t decide (I can’t decide)
Which one is leading me to hell or paradise?
Baby, I can’t hurt you, sure, but I’m the jealous type
I’m the jealous type
Post-Chorus
Oh, I’m jealous, baby, yeah, I’m jealous
Oh, I’m jealous, baby, I’m the jealous type
Oh, I’m jealous, baby, yeah, I’m jealous
Oh, I’m jealous, baby, I’m the jealous type
