Darkly hypnotic and technically dexterous, Hanumankind’s Damnson hit streaming platforms on August 27, 2021, establishing him as a formidable voice in contemporary hip-hop.
The track doesn’t just flex—it threatens, philosophises, and showcases a rapper who shifts gears with frightening precision.
Having recently examined Hanumankind’s latest track Run It Up in our publication, we felt compelled to dive into his past catalogue to better understand this rising artist’s evolution.
The Hanumankind DAMNSON lyrics reveal a particularly striking example of his raw talent and unique approach to hip-hop.
Behind the Track
Damnson by Hanumankind features production by Parimal Shais, whose haunting beats create the perfect backdrop for Hanumankind’s aggressive delivery.
The track’s technical team includes mixing and mastering by Akash Shravan, while the accompanying visual component was directed by Bijoy Shetty with Rohan Johnson handling editing duties.
Hanumankind himself penned the lyrics, crafting a narrative that oscillates between street-level boasting and surprising moments of introspection.
Hanumankind DAMNSON Lyrics Meaning Explained: Rhythmic Architecture
What immediately grabs you about the Hanumankind Damnson lyrical delivery is his masterful control of cadence.
He employs a fascinating technique where he starts the bar with an accelerated pace and then patterns it down and slows it towards the end.
This rhythmic approach creates a distinctive sonic fingerprint – frontloading verses with densely packed syllables before deliberately spacing out the latter half with triplet flows.
When he delivers lines like “This’ll go one of two ways, you could be living or dead,” we hear this technique in action – rushing through the first clause before deliberately spacing out the second half.
This gear-shifting approach gives Damnson its hypnotic quality, pulling listeners into his rhythmic web with each verse.
Cinematic Wordplay
The song meaning is amplified through its cinematic references. The Pablo Escobar line (“I’ma put gold in my bag, you can take silver or lead”) cleverly references the infamous “plata o plomo” ultimatum.
He builds on this with “Makin’ ’em sing like Les Misérables, wallow in sin like el diablo,” connecting Broadway to biblical imagery.
The cinematic thread continues with “I’m cutting off heads like Sleepy Hollow,” nodding to the Headless Horseman while setting up wordplay between “cutting heads” and getting “head while I’m in bed.”
Later, he drops “spot my dawgs like they named Pongo,” referencing “101 Dalmatians” while playing with the dual meaning of “spotting” his crew.
This constant threading of film and cultural references creates a visual tapestry that elevates his lyrics beyond standard braggadocio.
Hanumankind doesn’t just spit lyrics; he builds scenes in your head, connecting diverse cultural touchpoints into a cohesive narrative.
Identity and Introspection
The hook of Damnson contains a particularly noteworthy declaration of identity with the line “yeah, I’m brown and handsome” – making an explicit claim on identity that feels both intentional and significant.
It’s an affirmation of self-worth in a genre that hasn’t always made space for South Asian voices.
Dig deeper into the Damnson lyrics and you’ll find more than just swagger.
Midway through, Hanumankind shifts into more reflective territory with lines about how everyone acts composed while hiding their sorrow.
This unexpected interlude cuts through hip-hop’s performative confidence to comment on universal human struggles – how we wear masks that don’t reveal our inner turmoil.
This brief vulnerability, sandwiched between threats and boasts, gives the track surprising emotional depth.
Hanumankind DAMNSON Music Video
The Hanumankind Damnson music video amplifies the track’s mood through its gritty, nocturnal aesthetic.
Shot with a grainy film quality, it shifts between documentary-style footage in cars, almost like home movie vibes and more stylised sequences that reflect the song’s atmosphere.
This approach creates an intimacy that contrasts with the track’s aggressive posturing. The visual style underscores the duality within the lyrics themselves – surface confidence masking deeper complexities.
Sonic Foundation
Parimal Shais’s production provides the perfect canvas for Hanumankind’s verbal gymnastics in Damnson.
The beat pulses with a haunting anxiety, creating an atmosphere of controlled menace.
This sonic landscape gives the Hanumankind Damnson lyrics their distinctive mood, nocturnal, threatening, and slightly unhinged.
Final Verdict
Damnson works on multiple levels: as technical showcase, identity statement, and psychological exploration.
Hanumankind’s ability to shift rhythmic patterns demonstrates remarkable control, while his lyrics balance street flexing with surprising insight.
What lingers after listening to the Damnson lyrics by Hanumankind isn’t just his technical prowess but the undercurrent of composed aggression underneath.
There’s always that little edge to it that suggests more happening beneath the surface – both in the artist and his audience.
For anyone tracking Hanumankind’s trajectory from Damnson to his recent Run It Up, the consistency in quality is evident.
While his newer material shows evolution, the technical fundamentals and uniquely personal perspective were already firmly established in this 2021 release.
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Hanumankind DAMNSON Lyrics
Intro
Yeah, yeah (Yeah), yeah
Chorus
Damn, son, feel like I’m the man, son
Run up in your house take your bitches up for ransom (Uh-huh, ooh)
Damn, son, yeah, I’m brown and handsome
Yeah, your boy stay fresh to death, don’t matter what the brand, son (Grr)
Damn, son, feel like I’m the man, son
Run up in your house take your bitches up for ransom (Ransom)
Damn, son, yeah, I’m brown and handsome
Yeah, your boy stay fresh to death, don’t matter what the brand, son
Verse
This’ll go one of two ways, you could be living or dead
When I be on that war path, I don’t care how much blood shed
I don’t care who I’m gon’ blast, I don’t care who I’m gon’ spare
I’ma put gold in my bag, you can take silver or lead
Pablo
Makin’ ’em sing likе Les Misérables, wallow in sin like еl diablo
Every time that I am awake, I’m cutting off heads like Sleepy Hollow
Getting some head while I’m in bed, only gon’ stay if she gon’ swallow
I’ma stay stacking up my bread ’til im blowing up like the Apollo
Everyone act like they okay, everyone know that they in sorrow
Everyone act composed today, everyone lose they minds tomorrow
So many act like they the first, most of them know that they just borrow
All of you stay out my way, battle and blunt smoke is the motto
Reckless with a routine, the combo, spent last week living like soprano
Week before, I’m incognito, week before that, ball out, Rondo
My dawgs ready to bang like bongos, spot my dawgs like they named Pongo
Coming out swinging, what are you thinking? Making ’em run it back like—
Chorus
Damn, son, feel like I’m the man, son
Run up in your house take your bitches up for ransom (Ooh)
Damn, son, yeah, I’m brown and handsome
Yeah, your boy stay fresh to death, don’t matter what the brand, son (Ooh, yeah)
Damn, son, feel like I’m the man, son
Run up in your house take your bitches up for ransom (Ooh)
Damn, son, yeah, I’m brown and handsome
Yeah, your boy stay fresh to death, don’t matter what the brand, son (Yeah, yeah, yeah, yeah)
