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    Home»Trending»Lana Del Rey’s Cherry: A Love Song, a Breakdown, or Both?
    Trending

    Lana Del Rey’s Cherry: A Love Song, a Breakdown, or Both?

    Alex HarrisBy Alex HarrisFebruary 2, 2025Updated:August 30, 2025No Comments6 Mins Read
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    Lana Del Rey’s Cherry: A Love Song, a Breakdown, or Both?
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    The Sound of Falling to Pieces

    Cherry by Lana Del Rey is one of those songs that feels like it should be played in a dimly lit room with red wine in hand—preferably spilled a little for dramatic effect.

    Lana Del Rey Lust for Life Album Artwork
    Lana Del Rey Lust for Life Album Artwork

    It sits on Lust for Life (2017), an album that flirts with optimism but can’t quite shake its own shadows.

    This track, though, leans into the latter. It’s all fire, obsession, and the kind of romance that makes you question whether love is meant to be intoxicating or destructive.

    The song’s signature line—Darlin’, darlin’, darlin’, I fall to pieces when I’m with you—isn’t just poetic.

    It’s a spiral, a confession wrapped in vulnerability. But Cherry isn’t just about losing yourself in love; it’s about what love strips away in the process.

    Lana Del Rey Cherry Lyrics: Decoding the Symbols

    Lana Del Rey has a way of turning simple imagery into layered emotions, and Cherry is no exception.

    The opening lines paint love as something that’s both fearless and consuming, but as the song unfolds, so does its meaning.

    The mention of cherries and wine, rosemary and thyme carries a sense of indulgence and ritual, but also decay.

    Rosemary and thyme, often associated with memory and courage, suggest a love that demands strength, while cherries and wine evoke sweetness tainted with excess.

    These aren’t just aesthetic choices; they speak to something fleeting, something that’s already slipping away.

    Then there’s the striking line: “It’s like smiling when the firing squad’s against ya.” 

    It’s defiant, theatrical, and perfectly encapsulates Lana’s fixation on beauty in destruction.

    Love, in this world, isn’t soft or reassuring—it’s something you brace yourself for, something you endure even when it’s breaking you apart.

    The references to “celluloid scenes torn at the seams” tap into Lana’s obsession with old Hollywood glamour, but here, that fantasy is unraveling.

    The curated, vintage perfection she so often leans on is coming apart, mirroring the way love can dismantle even the strongest facades.

    And when she sings about “my rose garden dreams set on fire by fiends”, it’s clear that this isn’t just about romance—it’s about what gets lost in the process.

    There’s a sense of ruin, of something sacred being burned away, and yet she leans into it, embracing the chaos with open arms.

    Cherry by Lana Del Rey: A Love Song or a Warning?

    A quick dive into fan interpretations shows just how split listeners are on Cherry’s meaning.

    Some hear it as a love-drunk anthem, others see it as a toxic unraveling.

    And then there’s the theory that the song is about G-Eazy, fueled by their rumoured relationship in 2017​.

    That said, Cherry doesn’t need a real-life counterpart to make sense.

    Lana herself has spoken about the song’s emotional weight. In an interview, she revealed that while writing Cherry and White Mustang, she realised she sounded “kind of annoyed”—an unfamiliar feeling for her musically.

    She admitted she had expected to be in a “super clear zone” by the end of the album but instead found herself “still figuring out so much stuff.”

    That sense of frustration, of not quite arriving where she thought she would, bleeds into Cherry in the most visceral way.

    It’s not just a song about love—it’s a song about emotional unrest, about wanting something to be simpler than it is.

    Lana Del Rey Cherry Lyrics Explained: The Push and Pull of Emotion

    Lana’s delivery is where Cherry really earns its weight. The way she shifts between sultry murmurs and sharp expletives (Can I get a f**in’ hallelujah?) turns the song into something unpredictable, a little unhinged even.

    It’s the sound of someone both revelling in their passion and recoiling from it at the same time.

    This isn’t the soft, dreamy side of love. It’s the raw, gut-wrenching, beautifully messy version.

    The kind that makes you feel invincible in one breath and completely shattered in the next.

    Final Thoughts: Where Cherry Sits in Lana’s Catalog

    Compared to Lana’s other work, Cherry is a bridge between the melancholy of Ultraviolence and the wistful storytelling of Norman F**ing Rockwell.

    It’s not as narratively structured as Ride, but it’s just as emotionally potent.

    It doesn’t spell out its message, but it doesn’t need to—because anyone who’s ever been in a love that felt both euphoric and ruinous will understand it immediately.

    Love songs usually promise either a fairytale or a tragedy. Cherry refuses to pick a side.

    It doesn’t wrap things up neatly, and maybe that’s why it sticks—like the aftertaste of something sweet that turned bitter too fast.

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    Lana Del Rey Cherry Lyrics

    Verse 1
    Love (Yeah), I said real love is like feelin’ no fear
    When you’re standin’ in the face of danger (Hey)
    ‘Cause you just want it so much


    Verse 2
    A touch (Yeah), from your real love
    Is like heaven takin’ the place of somethin’ evil (Hey)
    And lettin’ it burn off from the rush, yeah, yeah (Fuck)

    Chorus
    Darlin’, darlin’, darlin’
    I fall to pieces when I’m with you
    I fall to pieces
    My cherries (Hey) and wine, rosemary and thyme
    And all of my peaches are ruined

    Verse 3
    Love (Yeah), is it real love?
    It’s like smilin’ when the firin’ squad’s against ya (Hey)
    And you just stay lined up, yeah (Fuck)

    Chorus
    Darlin’, darlin’, darlin’
    I fall to pieces when I’m with you
    I fall to pieces (Bitch)
    My cherries and wine, rosemary and thyme
    And all of my peaches (Can I get a fuckin’ hallelujah?)
    Are ruined (Bitch; Lookin’ at me like a magazine)

    Bridge
    My rose garden dreams (Can I get a fuckin’ hallelujah?)
    Set on fire by fiends (Sippin’ on ya like a Coca-Cola)
    And all my black beaches (Can I get a fuckin’ hallelujah?)
    Are ruined (Lookin’ at me like a magazine)
    My celluloid scenes (Can I get a fuckin’ hallelujah?)
    Are torn at the seams (Sippin’ on ya like a Coca-Cola, yeah)
    And I fall to pieces (Bitch)
    (Yeah) I fall to pieces when I’m with you

    Outro
    (Why?)’Cause I love you so much (Hey)
    I fall to pieces
    My cherries and wine, rosemary and thyme (Yeah)
    And all of my peaches are ruined (Bitch)
    Are ruined (Bitch), are ruined (F*ck)

    Lana Del Rey
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    Alex Harris

    Lyric sleuth. Synth whisperer. Chart watcher. Alex hunts new sounds and explains why they hit like they do.

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