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    Home»Trending»Linkin Park’s Good Things Go: A Raw, Reflective Finale to From Zero
    Trending

    Linkin Park’s Good Things Go: A Raw, Reflective Finale to From Zero

    Alex HarrisBy Alex HarrisNovember 16, 2024Updated:August 30, 2025No Comments6 Mins Read
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    Linkin Park’s Good Things Go: A Raw, Reflective Finale to From Zero
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    Good Things Go, the closing track of Linkin Park’s From Zero, feels less like a conclusion and more like an invitation to reflect.

    As the final song on one of the band’s most introspective albums, it encapsulates themes of vulnerability, regret, and the transient nature of joy.

    With its evocative lyrics and layered soundscape, Good Things Go is a hauntingly beautiful piece that resonates deeply with listeners.

    Linkin Park From Zero album artwork
    Linkin Park From Zero album artwork

    A Song That Completes the Journey of From Zero

    From Zero is an album defined by reflection and reinvention. After the devastating loss of Chester Bennington, Linkin Park faced the monumental task of honouring their legacy while finding a way to move forward.

    With Emily Armstrong stepping into the fold as co-vocalist, the album explores resilience, transformation, and the complexities of starting over.

    Good Things Go, as the final track, ties together these themes. It doesn’t offer easy answers or neat resolutions.

    Instead, it provides a space for contemplation, a moment to acknowledge both the weight of the past and the uncertainty of what lies ahead.

    Unpacking the Lyrics: A Journey Through Emotion

    Opening Lines: The Storm Within

    “Feels like it’s rained in my head for a hundred days / Stare in the mirror and I look for another face.”

    The opening verse paints a vivid picture of inner turmoil. The rain serves as a metaphor for prolonged emotional struggle, while the mirror reflects a search for identity amid chaos.

    These lines draw listeners into the song’s introspective world, setting the tone for what follows.

    The Chorus: A Confession of Contradictions

    “And I say I hate you when I don’t / Push you when you get too close.”

    Delivered with aching sincerity by Emily Armstrong, these lines capture the complexity of human relationships.

    They reveal the push-and-pull of wanting connection but fearing vulnerability.

    It’s a moment that many listeners can relate to, and Armstrong’s soaring vocals amplify its emotional resonance.

    The Bridge: Brutal Honesty

    “Maybe the problem is ego / Maybe the problem is mine.”

    Mike Shinoda’s rap in the bridge cuts through the layers of emotion with raw self-awareness.

    It’s a moment of accountability that lays bare the personal flaws and inner battles that define much of the song’s narrative.

    This admission of fault feels universal, speaking to anyone who has struggled to reconcile their actions with their intentions.

    The Soundscape of Good Things Go

    The song’s musical composition mirrors its emotional depth. Subtle grunge-inspired guitars and atmospheric electronics create a haunting backdrop for the interplay between Shinoda and Armstrong’s vocals.

    The deliberate absence of a climactic explosion gives the track a restrained intensity, making the melancholy linger long after it ends.

    Fan Reception and the Track’s Legacy

    Fans have embraced Good Things Go as one of the standout tracks on From Zero.

    On Reddit, one listener described it as “the perfect closer,” while another praised how it “captures everything the band has been through.”

    The song’s ability to evoke such strong reactions highlights its emotional power and its place as a pivotal moment in Linkin Park’s discography.

    Why Good Things Go Is a Fitting Finale

    As the final note of From Zero fades, listeners are left with a sense of quiet reflection.

    The song doesn’t attempt to resolve the pain explored throughout the album.

    Instead, it acknowledges that some wounds remain and that moving forward requires sitting with discomfort.

    Linkin Park’s ability to capture the raw complexities of human emotion in a way that feels intimate yet widely relatable.

    Final Thoughts

    Linkin Park’s Good Things Go is more than just the closing track of an album; it’s a poignant reminder of the power of music to hold space for reflection.

    Its honest lyrics, haunting composition, and emotional depth make it a standout not just on From Zero, but in the band’s wider body of work.

    This is a song that doesn’t let go easily, and that’s precisely what makes it unforgettable.

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    Linkin Park Good Things Go Lyrics

    Verse 1: Mike Shinoda, Emily Armstrong
    Feels like it’s rained in my head for a hundred days
    Feels like it’s rained in my head for a hundred days
    Stare in the mirror and I look for another face
    Stare in the mirror and I look for another face
    And I get so tired of puttin’ out fires and makin’ up lies
    Checkin’ my eyes for some kinda light, but nothing’s inside
    And it feels like it’s rained in my head for a hundred days

    Chorus: Emily Armstrong
    And I say I hate you when I don’t
    Push you when you get too close
    It’s hard to laugh when I’m the joke
    But I can’t do this on my—
    Only you could save me from my lack of self-control
    Sometimes bad things take the place where good things go

    Verse 2: Mike Shinoda, Emily Armstrong
    I’ve asked for forgiveness a hundred times
    I’ve asked for forgiveness a hundred times
    Believed it myself when I halfway apologized
    Believed it myself when I halfway apologized
    And it’s not unfair, I’m asking for prayers, but nobody cares
    Goin’ nowhere like fallin’ downstairs while everyone stares
    No one’s there when I’ve asked for forgiveness a hundred times

    Chorus: Emily Armstrong & Mike Shinoda
    And I say I hate you when I don’t
    Push you when you get too close
    It’s hard to laugh when I’m the joke
    But I can’t do this on my—
    Only you could save me from my lack of self-control
    Sometimes bad things take the place where good things go

    Bridge: Mike Shinoda
    No, I’m just takin’ a shot, ah
    Maybe I’m just too eager, oh
    Maybe I lost the plot, ha
    I used to pity some people
    I said they were missing a spine
    Yeah, maybe the problem is ego
    Maybe the, maybe the problem is mine
    Really, I’m fine
    Don’t get too intimate, don’t get too curious
    This is just feelin’ like it’s not that serious
    Stare at the ceiling, feeling delirious
    Fuck all your empathy, I want your fury
    ‘Cause I will just
    Tell you I’m better, then, better, then
    Spit out my medicine, medicine, ayy
    Drunk on adrenaline, ‘drenaline, ayy
    And I don’t know why I

    Chorus: Emily Armstrong & Mike Shinoda
    Say I hate you when I don’t
    Push you when you get too close
    It’s hard to laugh when I’m the joke
    But I can’t do this on my—
    Only you could save me from my lack of self-control
    And I won’t make excuses for the pain I caused us both
    So thank you for always standing by me even though

    Sometimes bad things take the place where good things go

    Linkin Park
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    Alex Harris

    Lyric sleuth. Synth whisperer. Chart watcher. Alex hunts new sounds and explains why they hit like they do.

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