Miley Cyrus dropped Something Beautiful the title track—alongside its surreal, slow-burning visual—on March 31, 2025, as part of the rollout for her upcoming visual album.
Directed by Cyrus herself with Jacob Bixenman and Brendan Walter, the video is soaked in mood: flickering sparks, molten shadows, and a decadent Mugler gown that practically drips from the screen. Glamour and chaos walk hand-in-hand.
Cyrus later noted on social media that the video explores her “deep connection to fashion.”
That connection takes centre stage as she performs in a feathery custom Mugler design by Casey Cadwallader, with only her band for company.
As the performance builds and her look shifts into something more stripped back, the surroundings begin to shatter.
Explosions cut through the atmosphere, leaving behind—true to the song’s name—something beautiful.
The track was produced by Kid Harpoon and Maxx Morando, Cyrus’ longtime collaborator and partner, and it shows.
There’s a sense of intimacy baked into the sonics—the kind you only get when the people in the room trust each other enough to let things fall apart mid-take and call it art.
With Something Beautiful, Miley Cyrus once again reminds us how she can take a love song and twist it into something raw, cinematic, and strange.
Look closely at the Miley Cyrus Something Beautiful lyrics. They don’t comfort; they press where it hurts.
The drop wasn’t just one song—it was a scene-setter. Alongside Something Beautiful, Cyrus released a spoken-word piece titled Prelude, where blooming flowers, rainfall, and whispered declarations set the emotional groundwork for what’s to come.
If Prelude was the inhale, Something Beautiful is the slow, unraveling exhale.
Together, they mark a sharp turn from the shiny defiance of Flowers into something far more vulnerable, and at times, unhinged.
Gone is the disco-pop gloss—in its place, a kind of rock-and-jazz theatre that doesn’t ask for forgiveness or permission.
Sound That Shifts Like Weather
Cyrus doesn’t coast on a single sound here. The first half opens like a jazz-laced lullaby: all warm chords, and breathy vocals that flow just a second too long.
There’s gravity between the space between each note. You can feel her thinking. You can feel her waiting.
But the track refuses to stay serene. It evolves—pulling from the glam-rock pulse of Plastic Hearts and the looser, more psychedelic impulses that coloured Dead Petz. The result is messy, a little unhinged, and all the more believable for it.
By the time the chorus hits—“Boy, I’m losing my breath”—the song is already shedding skin. Guitars sharpen, rhythms skew, and a psychedelic rock pulse creeps in around the edges.
Horns wail in the outro like a warning. This isn’t just a love song. It’s a disassembly. You get the sense that Miley’s voice is both torch and wrecking ball, carrying the melody even as it tears it down.
Line-by-Line: When Lyrics Bleed
“Tell me something beautiful tonight / Until your lips turn blue”
There’s something desperate tucked into that ask. She’s not after beauty for comfort—she wants it to hurt, to last, to bruise if it has to.
“Water to red wine, kissing to kill time”
She’s turning the mundane into the sacred, but there’s a catch: it’s not about worship—it’s about distraction. What are we really doing here, she seems to ask, other than stalling?
“Watching the doves cry into the sunrise”
This line sounds like poetry and emotional vandalism all at once. Doves crying? Sunrise? It’s peace collapsing into mourning. It’s the illusion of serenity undone in real time.
“Flash, bang, spark / Send home the guards and lay down your arms”
The imagery explodes mid-song. Emotional defenses crumble—willingly. There’s a strange nobility in surrender, and she paints it with fireworks.
“The great golden bomb, bomb, bomb”
That repeated “bomb” isn’t just sonic flair—it’s her love turning into a detonator. Golden. Beautiful. Dangerous.
“Boy, I’m losing my breath / You’re marking up my necklace”
The intimacy here is raw and unfiltered. It’s less about romance and more about being consumed. This isn’t a Hallmark confession—it’s a reckoning.
“Eat my heart, break my soul / Take my parts, let me go”
The outro chants like a ritual. It’s haunting. Almost cinematic. By the end, she’s asking to be unmade. Love, here, isn’t something you hold. It’s something that dismantles you—piece by piece.
The Miley Cyrus Something Beautiful lyrics don’t follow a traditional narrative. They unravel. They spiral. They come back for you in the outro when you thought it was over.
What Is the Meaning Behind Something Beautiful?
It’s a love song, yes—but not the kind you play at a wedding. It’s a song about what love takes from you.
About handing yourself over and knowing you might not get all the pieces back.
Something Beautiful song meaning explained? It’s tangled up in that tension: between devotion and undoing, between want and war.
If you’re looking for something clean, keep walking. This isn’t that. But if you’re the kind of person who understands that beauty sometimes shows up with blood on its hands—this song has something to tell you.
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Miley Cyrus Something Beautiful Lyrics
Verse 1
Tell me something beautiful, yeah, tonight
Until your lips turn blue
Said I don’t wanna talk about it for too long
Baby, now I think I do
Ah, water to red wine, kissing to kill time
Oh my, yeah
Ah, watching the doves cry into the sunrise
Pre-Chorus
Oh, flash, bang, spark
Send home the guards and lay down your arms
And da-da-da-da-da-da
The great golden bomb, bomb, bomb
Chorus
Boy, I’m losing my breath, yes
Boy, you’re marking up my necklace
Boy, I’m losing my breath
I’m undressing, I’m confessing that I’m so obsessed, yes
Verse 2
Tell me something beautiful, yeah, about this world
When I’m in your palm, I’m like a pearl
Tell me something I can hold on to, you’re who I belong to
I drown in devotion (Devotion), as deep as the ocean (The ocean)
So don’t let me go, no, no, no
Pre-Chorus
Flash, bang, spark
Lighting up the dark
Bomb, bomb
Chorus
Boy, I’m losing my breath, yes
Boy, it’s popping out my chest, yes
Boy, I’m losing my breath
I’m undressing, I’m confessing that I’m so obsessed, yes
Outro
Eat my heart, break my soul
Take my parts, let me go
Eat my heart, break my soul
Take my parts, let me go
Eat my heart, break my soul
Take my parts
