“When Did You Get Hot?” treats a glow-up like breaking news, and Sabrina Carpenter reports it with a smirk and a guitar sting.
She spots an old acquaintance across the room and does a double-take; that’s the joke and the engine.
The track arrived on 29 August 2025 mid-sequence on Man’s Best Friend (track eight) with a same-day lyric video on her channel, built for quoting and quick-cut asides.
The writing is all tease and deadpan timing, true to the persona that turned “Espresso” into shorthand for confidence.
It opens with a dust-dry image, then flips into the meet-cute chaos of a party, and within twenty seconds, she is doing what she does best, dropping a line you can shout over a chorus.
“When did you get hot?” is not a question so much as a bit of stage business.
She sets stance and stakes in quick cuts: “So long, untouched…,” “Now I’m at the prospect convention,” “My friends walk in your friends’ direction,” then punches the hook with “I could look you up and down all day,” and the deliberately silly “Take me to naked Twister back at your place.”
Short quotes, used fairly, are enough to show the track’s voice without stepping on the lyric.
Production reads like a compact Antonoff showreel. A crisp kick, scooped mids, a rubbery bass figure that keeps the pocket springy, and a bright guitar riff that arrives with a knowingly comic countdown, “Big riff coming, I need a minute… okay, here it comes.”
The arrangement leaves space for her spoken asides and lets the punchlines breathe, which is part of why the hook scans immediately, even if you are new to the album’s running jokes.
As for the lyrics’ meaning, the song’s premise is simple and effective.
She bumps into someone who has had a glow-up and narrates the lurch from indifference to fixation, toggling between mock-awe and invitation.
Lines like “You were an ugly kid, but you’re a sexy man,” “I bet your light rod’s like bigger than Zeus’s,” and “I did a double take, triple take” push the joke until it becomes a character sketch.
The gag rests on delivery rather than cruelty, and the track keeps returning to a single idea: desire can be funny, and the body remembers before the brain catches up.
The name-drop peeked listeners ‘ interest, and they are already asking who Devin is.
The song frames it as a friends-of-friends introduction, and fans have spun theories about real-world Devins, including high-profile athletes.
That speculation is out there, though nothing on record confirms a specific person, and most coverage treats Devin as a convenient cipher that keeps the scene feeling lived-in.
Beyond the hook, “When Did You Get Hot?” slots cleanly into Man’s Best Friend as the comic relief that keeps the record from sinking under heavier admissions elsewhere.
“When Did You Get Hot?” plays like the breezy earworm that resets the record between heavier admissions, short, flirty, and instantly repeatable, exactly the kind of wink that several reviewers singled out as a highlight.
At the same time, the gag-forward persona can feel a touch engineered for quick clips, with some critics noting the album pushes her wry, chatty style to its apex, and occasionally to its limit.
The song hits the sweet spot because it trusts her delivery.
The song keeps the camera close to the face, lets the guitar and percussion snap without crowding the vocal, and builds the comedy in how she times the turns rather than in any single zinger.
It also serves the album as a whole by proving that punchline pop can pull its weight alongside the confessional tracks and still feel like craft, not fluff.
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