A love song shaped like a voicemail you never sent, No One Noticed tightens the room and lets one phrase carry the weight: “Maybe I lost my mind, no one noticed.”
It’s private, familiar, the kind of ache you hear in the pause before you press call.
On paper the Marías no one noticed lyrics look spare. In the air they glow with a soft pulse: “I’d kinda like it if you’d call me,” answered by a quiet counter-line, “I’m so over bein’ lonely.”
A few words are enough. The beat nods instead of struts. A small guitar keeps the voice steady. The hook turns an everyday ask into something you feel in your chest, not just your ears.
No One Noticed dropped on 3 May 2024 as a double single with “If Only,” leading into Submarine on 31 May 2024.
Extended versions followed on 15 November 2024 in English and Spanish. Songwriting by The Marías. Production by Josh Conway and Gianluca Buccellati.
The Spanish version further intensifies the intimacy of the narrative, bringing María’s emotions to the forefront with visceral clarity.
The lyrics are unapologetically raw, capturing the exhaustion of feeling unnoticed.
The pull of no one noticed lyrics is the way they sketch a modern closeness that toggles between screens and skin.
The chorus bargains in plain language: “I need a virtual connection. Be my video obsession.” It’s not a grand thesis.
It’s a late-night compromise, the kind that gets you through one more week.
María has said she values being in the room, able to “look at somebody’s eyes and like touch them,” yet she also calls words and FaceTime “just as tangible and just as real” when life or distance gets in the way.
The song holds those truths at once.
There’s a knot in the refrain that tells on the narrator. “Come on, don’t leave me… hold me, console me, and then I’ll leave without a trace.”
Comfort asked for with one hand, exit plan held in the other. It plays like self-protection, or a mirror to someone who couldn’t stay.
The line “No one tried to read my eyes, no one but you, wish it weren’t true” fixes the story in a single look: the person who could read you is also the one you cannot reach.
In The Marías No One Noticed lyrics, this is the hinge the whole track turns on.
The Spanish extension deepens the bruise. “Estás tan dentro de mí… Te sigo esperando… Me canso llorando.”
A confession kept in her first language tilts the feeling from simple melancholy to something closer to exhaustion.
Including this verse only in Spanish makes it feel like a door half closed, the kind you press your ear to.
Part of the song’s gravity is its origin story. During the Submarine era, early label feedback leaned toward faster, shinier material.
María was attached to this one. Frustrated, she leaked the demo. Listeners found it and claimed it.
“It just kind of came out all at once,” she’s said of writing the core melody and lines, on a bright morning with a guitar on her bed, a burst that felt too honest to shelve.
What followed proved the point. By album release, this slow burner became the play-again moment, then the most replayed track from Submarine.
The arrangement draws a line between a heart that wants and a voice that pretends it doesn’t.
Low-tempo guitar. Breath close to the mic. Drums that waver in the second verse like a thought losing nerve.
Harmonies that bloom and recede as if the narrator is arguing with herself.
There’s a small crest in the middle, then it retreats. Like a tide that can’t decide whether to touch the shore.
How it’s landing with people is its own story. Scroll the comment stacks and you see two currents.
Some call it the song for a breakup you never got to discuss, the one you play in a quiet flat at 2 a.m.
Others hear comfort more than collapse, a warm hug after a good cry.
A few push back on the “video obsession” line, too on-the-nose for their taste, while defenders argue that bluntness is the point.
Either way, listeners keep returning to that Spanish verse as the part that stays with you.
Zoom out and you can trace the lift. TikTok loops carried the hook through a long summer.
Billie Eilish sang along on camera and later brought The Marías on tour.
The song moved beyond fan circles and into people’s daily soundtracks, which is where it makes the most sense.
Not as a grand statement. As a private moment you visit when the room is quiet.
María’s own framing keeps it simple. She wants presence. Eyes in the same room if possible.
But she refuses to pretend a call or a message can’t keep you afloat.
“Just as tangible and just as real,” she says of those digital touch points, which turns a line like “I’d kinda like it if you’d call me” from a throwaway into a thesis.
Maybe that’s why no one noticed the marias lyrics feel like a hand on your shoulder rather than a speech.
No one noticed the marias lyrics start as a whisper and end as a choice.
Call me. Hold me. I’ll leave without a trace. Is that a shield or a promise, and which part of it do you believe when the phone finally lights up.
What makes No One Noticed stand apart is its refusal to resolve the tension it creates.
The Marías through No One Noticed, have crafted something that feels deeply alive.
It plays like a private reckoning, asking you to sit with what you won’t say out loud.
With its layered production, evocative lyrics, and undeniable emotional pull, it cements itself as one of the most compelling pieces in their repertoire.
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The Marías No One Noticed Lyrics (Extended Spanish)
Verse 1
Maybe I
Lost my mind
No one noticed
No one noticed
Chorus
It’s getting old (I’d kinda like it if you’d call me)
All alone (‘Cause I’m so over bein’ lonely)
May have lost it (I need a virtual connection)
I have lost it (Be my video obsession)
Verse 2
No one tried
To read my eyes
No one but you
Wish it weren’t true
Chorus
Maybe I (I’d kinda like it if you’d call me)
It’s not right (‘Cause I’m so over bein’ lonely)
Make you mine (I need a virtual connection)
Take our time (Be my video obsession)
Refrain
Come on, don’t leave me, it can’t be that easy, babe
If you believe me, I guess I’ll get on a plane
Fly to your city excited to see your face
Hold me, console me, and then I’ll leave without a trace
Come on, don’t leave me, it can’t be that easy, babe
If you believe me, I guess I’ll get on a plane
Fly to your city excited to see your face
Hold me, console me, then I’ll leave without a trace
Come on, don’t leave me, it can’t be that easy, babe
If you believe me, I guess I’ll get on a plane
Fly to your city excited to see your face
Hold me, console me, and then I’ll leave without a trace (Maybe I)
Come on, don’t leave me, it can’t be that easy, babe (It’s not right)
If you believe me, I guess I’ll get on a plane (Make you mine)
Fly to your city excited to see your face (Take our time)
Hold me, console me and then I’ll leave without a trace
Chorus
I’d kinda like it if you’d call me (It’s not right)
‘Cause I’m so over bein’ lonely (Make you mine)
I need a virtual connection (Take our time)
Be my video obsession
Verse 3
Estás tan dentro de mi
Te sigo pensando
Te sigo esperando
Y estás, oh
Tan lejos de mi, oh
Te sigo pensando
Me canso llorando
